BLAZER AND TAILORED JACKET FABRIC
PU Faux Leather Fabric for Blazers
A coated leather built for tailored shapes: enough body to hold a front piece, enough softness to roll at the lapel.
- ✓ PU coated synthetic leather, soft tailored hand
- ✓ 137 cm (54") usable width
- ✓ Low-sheen, smooth face; texture and sheen to order
- ✓ Material-level REACH SVHC screening on file, SZHH01505701
- ✓ A4/A3 sample for pressing and stitch trials
Structure and Drape, Held in the Same Sheet
Tailored jackets are the hardest thing to ask of a coated leather. A blazer front has to stand on its own line, then soften into the lapel roll without a hard break. Stiff material gives a boxy shoulder and a lapel that reads as card; too-soft material collapses the front edge by the second fitting.
This PU coated synthetic leather is supplied so the balance is set with you, not guessed by us. Thickness, surface texture, sheen and handle are agreed on a sample, and the sample is large enough to press, clip and stitch a trial seam. What your block needs is decided on that piece of material before a production quantity is ever discussed.
01
Front Piece Line
Body is set by thickness and by how the face is finished, so the jacket front holds an edge instead of softening into the lining.
02
Lapel Roll
The gorge and lapel break are judged on a pressed sample, because a roll that photographs well can still break hard under an iron.
03
Clean Pressing
The face is finished to take a low-heat press with a cloth, so seam allowances sit flat without a shine blooming on the piece.
Technical Parameters
| Item | What we supply | Agreed with you |
| Composition | PU coating on a synthetic base cloth | |
| Cuttable width | 137 cm (54 in) | |
| Substance | Fixed on the signed sample | Yes |
| Face | Low-sheen as standard; texture, sheen and emboss to order | |
| Colour | Cream as photographed, or matched to your seasonal card | |
| Order quantity | Set for the project and for each colour | For agreement |
| Dispatch packing | Rolls, liner bag and outer wrap | |
| Sample | A4/A3 at no charge, carriage collect | |
| Compliance file | Intertek material-level REACH SVHC, SZHH01505701 | |
| Payment | 30% with order, 70% before shipment; L/C on request |
Nothing here is rounded to look complete: where a value depends on the build, it is settled with your team instead of printed as a guess.
Shell, Lapel, Sleeve Head and Welt
- ✓ Front and side pieces, including single and double-breasted cuts
- ✓ Lapels, undercollars and gorge-line pieces
- ✓ Sleeve heads, cuffs and button tabs
- ✓ Pocket flaps, welts and jetted openings
- ✓ Back yokes and waist seams on cropped blazers
Share the block pieces you actually cut, not only the garment name. A lapel and a pocket welt come off the same roll but are judged by different behaviour, and the sample is prepared so both can be tested before production.
Pressing, Pinning and Seam Allowance
Press with cloth
Coated surfaces are pressed at the lowest useful heat with a press cloth, and always tested on a waste piece first. The same rule applies on a sample table and on a production line.
Clip, do not pin
Where a pin would leave a hole in a visible piece, clips hold the seam and pins stay inside the seam allowance. This is standard practice on coated material and it shows up in the finish.
Seam allowance by block
Allowance follows the block rather than the material: 1/4 in, 3/8 in and 5/8 in are all normal, and curved joins take less than straight ones. Confirm the allowance with the sample in hand.
Handling notes above follow common practice for coated material; the final setting is the one that works on your own machine and pattern block.
A Blazer Face Is Decided on the Table
A tailored face is argued over on a table, not on a screen. The sample room starts from your tone card and a physical reference, then works backwards: which release gives the flat low-sheen surface, how deep the emboss should sit so a lapel reads as leather and not as vinyl, and whether the edge still breaks cleanly after ten minutes under a press cloth.
Two rounds are usually enough. Round one settles tone and sheen against the card; round two settles what happens at the lapel and the pocket flap once the piece is interfaced, pressed and turned. A face that photographs beautifully can still fail at that second round, which is why we ask for the block and the build before the swatch card is cut.
- ✓ Tone and sheen matched to a physical card, not to a screen capture
- ✓ Emboss depth judged on a folded corner, where it shows
- ✓ Press behaviour tested with the cloth and heat you actually use
From Colour Card to Signed Sample
A tailored range moves in small stories rather than one long order, so the signing step carries the weight. Each tone gets its own piece: cut, interfaced, pressed, turned and hung next to its neighbour. Six tones approved on one card is a season; six tones approved on six different cards is six arguments waiting to happen at the fitting.
What we ask back is the same piece you signed, kept as the master. When the second drop is placed, the reference is that master rather than a photograph or a memory of a meeting, and the difference between drop one and drop two is a comparison instead of a negotiation.
Where the range mixes suppliers, ask for the signed piece from each and hang them together before the fitting. Coated material from two sources rarely lands on the same sheen, even when the tone is right.
Interfacing, Lining and Order of Assembly
A tailored jacket is a sequence before it is a garment, and a coated shell behaves best when the sequence is kept. The front is interfaced or fused and left to cool flat before the lapel is rolled, because a roll set on warm material relaxes back out of shape within a day. Sleeve heads and shoulder pads carry the silhouette, so the shell is allowed to hang before the lining goes in.
Fusible or sewn-in, the interfacing decides how much of the shape the coating has to carry. A gorge line, an undercollar and a jetted pocket opening are all judged against the same question: does the edge stay crisp after bagging out and a light steam, or does it go soft the moment the garment is turned through.
- ✓ Interface first, then rest the piece flat before the lapel is pressed
- ✓ Hang the shell before bagging the lining, so the hem finds its balance
- ✓ Match lining weight to the shell, not to the season alone
Seasonal Colour Cards and Short Runs
A tailored range usually moves in small colour stories rather than one long run. Colour, texture and sheen are developed against your seasonal card, and each colour is approved on a sample before it goes into a schedule. Because the material is coated to your brief rather than picked from a fixed range, the second drop can be run to the same brief as the first.
Colour card
Share Pantone or a physical reference; colours are matched at sample stage.
Surface
Matte, texture and sheen are chosen with the colour, not after it.
Drop two
Repeat colours run to the signed sample and are lot coded per roll.
Shipping
Rolls packed for export, liner bag and outer wrap.
Why Choose WINIW for Blazer Fabric
Development runs against your brief rather than a stock card: the tone, the surface and the build you intend to sew are all part of the sample, so approval is given on real material. A season can be developed tone by tone without re-briefing a new mill each time, and the group behind that is set out in the company profile.
Compliance paperwork travels with the sample, not after it: the screening certificate, the signed face standard and the colour record all reference the same lot, so a compliance team is reading one file instead of three. Licences and certification records we hold sit on the quality control page.
Three checkpoints on the line: ① colour held to the master sample → ② face and roll walked before packing → ③ a lot reference written into the goods-out record.
Frequently Asked Questions
Can the face be pressed without a shine?
Coated material is pressed at the lowest useful heat with a press cloth, and the result is tested on an offcut before it is trusted on a piece. Sewing and tailoring references give the same instruction for coated leather, and we confirm the setting on the sample you receive.
Do pins leave permanent holes in the piece?
On a visible piece they can, which is why clips are used for holding a seam and pins are kept inside the seam allowance. This is common handling practice for coated leather, and the sample is the place to test how your own operators want to work.
Which seam allowance suits a tailored jacket?
Allowance follows the block, not the material. 1/4 in, 3/8 in and 5/8 in are all used in garment construction, and curved joints usually take less than straight ones. Share your construction sheet and the sample is cut large enough to test those joins.
Will a front piece hold its line without canvas?
That is settled by thickness and surface finish rather than by a promise, so it is judged on a pressed sample of the construction we recommend. Tell us whether the jacket is fused or canvassed and the sample is prepared to suit that build.
Can you match a seasonal colour card?
Yes. Share Pantone references or physical swatches from the card, and the colours are matched at sample stage before production. Colour is developed together with texture and sheen, because a colour approved on a different surface rarely lands the same way.
How is the shell paired with a lining?
Lining choice is part of the sample review: the two materials are handled together so the shell does not drag at the shoulder or pull at the waist seam. Share the lining you intend to use and the pair is assessed as a set.
Constructions That Sit Next to This One
A softer hand for unstructured jackets and shirts.
Orange-peel textured leatherette
Where the range wants visible grain instead of a flat matte face.
The full category, including printed, embossed and recycled options.
Start With a Sample, Not a Spreadsheet
Give us the build, the substance you have in mind and the colour reference. An A4/A3 piece comes back from that construction, so pressing, clipping and stitching are tested before the season is committed. Anything else goes to the team on the contact page.
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